By this I mean that we will no longer have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported
Kent du Pre has done such work with Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, nevertheless the most extreme form occur in Paper Wonder with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent talk about of the techniques is by Toshie Takahama who refers to Avion En Papier Qui Vole Très Bien Et Longtemps it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modeling particularly when foil has recently been used and one can make sure of the material remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The technique of wetting the paper is apparently Japanese in origin was Tuto Avion En Papier Qui Vole Bien demonstrated by Yoshizawa at a Convention in Luton. Another method of wet moulding using paste in the preparation is talked about by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and are approaching sculpture rather than Origami.
Fleur en papier
The cutting out of holes and so on. to indicate eyes and so on is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of Fabrication Avion En Papier Pliage paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and plainly here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form we might use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or card. Probably the most unusual form of 'display mechanics' that I am familiar with is by Toyoaki Kawai.
Bateau en papier
The associated arts are Origami Easy Rose Weaving cloth and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of paper each folded to represent some part of the pet and Avion En Papier Pro then brought with each other. The idea may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have came out for folding a monster from a quantity of squares of different sizes.
Comment faire un avion en papier
Inside the most extreme combinations of water and paper we are, of course , in the world of papier-mache which is obviously an open-ended art. DecoratingThe easiest step from your single colour is one side female and one white or plain. A great offer of modern Origami intrusions this colour difference. The delightful example is Joan
Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design well suited for a special model. The end of this process is evidently the decoration of the final model and therefore into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bows and finally string.